Il riuso delle immagini dei beni culturali pubblici (1962-2022): un percorso a ostacoli

Authors

  • Mirco Modolo Archeologo e archivista

DOI:

https://doi.org/10.36181/digitalia-00080

Keywords:

Reproductions, Cultural Heritage, copyright, Open Access

Abstract

This paper analyzes the historical evolution of the regulation of the use of photographic reproductions of public cultural heritage starting from law no. 340/1965, which permanently introduced a fee on reproductions of artworks preserved in Italian public museums. Particularly, it focuses on the process of assimilation of the “concession fee” on reproductions, a typical expression of administrative law, to the copyright reproduction rights, raising issues of compatibility of the Art. 108 of the Code of Cultural Heritage and Landscape with the Art. 14 of Directive (EU) 2019/790 (Copyright Directive).

Downloads

Download data is not yet available.

Downloads

Published

2023-12-29

How to Cite

Modolo, M. (2023). Il riuso delle immagini dei beni culturali pubblici (1962-2022): un percorso a ostacoli. DigItalia, 18(2), 123–133. https://doi.org/10.36181/digitalia-00080

Issue

Vol. 18 No. 2 (2023)

Section

Atti del Convegno di studi "Fare per non sprecare. Nei laboratori del riuso digitale"

License

Copyright (c) 2023 Mirco Modolo

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

The Authors publishing their contributions on this journal agree to the following conditions:

    1. The Authors detain intellectual property rights of their work and transfer the right of first publication of the work to the journal, under the following Licence: Attribution-ShareAlike 3.0 Italy (CC BY-SA 3.0 IT). This Licence allows third parties to share the work by attributing it to the Authors and clarifying that the work has been first published on this journal.
    2. Authors can sign other, non-exclusive licence agreements for the dissemination of the published word (e.g. to deposit it in an institutional archive or publish it in a monography), provided that they state that the work has been first published on this journal.
    3. Authors can disseminate their work online (e.g. in institutional repositories or on their personal websites) after its publication, to potentially enhance knowledge sharing, foster productive intellectual exchange and increase citations (see The Effect of Open Access).